800-Year-Old Tomb Discovered in Peru

LIMA, PERU—The remains of eight people estimated to be 800 years old were discovered by workers laying gas pipes near Lima, according to an ...

Friday

800-Year-Old Tomb Discovered in Peru

LIMA, PERU—The remains of eight people estimated to be 800 years old were discovered by workers laying gas pipes near Lima, according to an AFP report. The bodies, which included adults and children thought to have lived in the nearby ancient town of Chilca, had been wrapped in bundles of plant material before being placed in the mass grave. Archaeologist Cecilia Camargo said that shells had been placed on some of their heads, and some of them had bags for holding coca leaves, which can be chewed as a stimulant. Corn, dishes, and wind instruments such as flutes were also recovered. “It is an important find that gives us more information about the pre-Hispanic history of Chilca,” Camargo commented. To read about mass sacrifices of llamas and children at the site of Pampa la Cruz, go to "Peruvian Mass Sacrifice," one of ARCHAEOLOGY's Top 10 Discoveries of 2019.

600-Year-Old Muisca Jars Recovered in Colombia

BOGOTÁ, COLOMBIA—Live Science reports that archaeologist Francisco Correa and his colleagues discovered eight ceramic jars containing metal figurines and emeralds in a temple at a Muisca site in central Colombia during an investigation ahead of a road construction project. Many of the Muisca died when the Spanish conquered the region between 1537 and 1540. The jars, known as ofrendatarios, are estimated to be 600 years old. The figurines resemble snakes, other animals, and people wearing headdresses and carrying staffs and weapons. Correa said he thinks the temple may have been dedicated to a cult of the ancestors, or worship of gods associated with the moon and the sun. Ofrendatarios containing metal figurines and emeralds are often found at Muisca sites, he added. To read more about prehispanic Colombian metallurgy, go to "The Pink Standard." 

Human Footprints in North America Dated to 23,000 Years Ago

TUCSON, ARIZONA—According to a statement released by the University of Arizona, human footprints found in New Mexico’s White Sands National Park have been dated to 23,000 years ago. Jeff Pigati and Kathleen Springer of the U.S. Geological Survey radiocarbon dated seeds found above and below multiple layers of footprints left behind in stream beds at White Sands National Park over a 2,000-year period. The size of the footprints suggest they were made mainly by playing teenagers and younger children, but an occasional adult did visit the stream, said Matthew Bennett of Bournemouth University. It had been previously thought that migrants waited to enter North America until the melting of the ice sheets opened up overland migration routes, but these new dates for the site’s oldest tracks show that people had arrived in North America during the Last Glacial Maximum. The prints of mammoths, giant sloths, and other extinct animals were also found, indicating that they shared the landscape with humans. To read about pre-Clovis peoples in the Americas, go to "America, in the Beginning."

September Quiz

September Quiz Katie Holyoak Fri, 09/24/2021 - 14:53

source http://www.historytoday.com/archive/interactive/september-quiz

Gas pipe workers find 800-year-old burial bundles

Last week, workers installing new gas pipes in the town of Chilca, 40 miles south of Lima, Peru, discovered a group of funerary bundles containing human remains and offerings that dates to the 13th century. The natural gas company Cálidda contracted archaeologists to excavate the find. They found the remains of eight individuals, adults and children, wrapped with vegetable ropes and brown cloth.

Placed around the bundled bodies were offerings of different types of corn in a bowl made from gourds, decorated textiles and musical instruments, including a double-row panpipe and a traditional Peruvian flute. There were shells on the heads of some of the bodies.

Inside some of the bundles archaeologists found hand spindles, used to spin cotton, camelid or sheep’s wool into the richly colored and patterned textiles that have been characteristic of Andean culture for millennia. They also found chuspas, pouches used to carry coca leaves and the alkaline substances (lime in this case) they were chewed with to increase the practice’s effectiveness against altitude sickness, in some of the bundles.

The bundles were placed inside a chamber dug into the sand, then topped with wood logs and mats of plant fiber hardened with mud. Archaeologists believe the burials were part of a pre-Hispanic cemetery in Chilca, as bodies have been found during utility work before, most recently in 2018 when Cálidda workers discovered the ancient remains of 30 individuals.

The human remains and archaeological materials will be entrusted to experts at Peru’s Ministry of Culture, who will assess their conservation needs and determine where they will be exhibited in the future.

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source http://www.thehistoryblog.com/archives/62310

Gas pipe workers find 800-year-old burial bundles

Last week, workers installing new gas pipes in the town of Chilca, 40 miles south of Lima, Peru, discovered a group of funerary bundles containing human remains and offerings that dates to the 13th century. The natural gas company Cálidda contracted archaeologists to excavate the find. They found the remains of eight individuals, adults and children, wrapped with vegetable ropes and brown cloth.

Placed around the bundled bodies were offerings of different types of corn in a bowl made from gourds, decorated textiles and musical instruments, including a double-row panpipe and a traditional Peruvian flute. There were shells on the heads of some of the bodies.

Inside some of the bundles archaeologists found hand spindles, used to spin cotton, camelid or sheep’s wool into the richly colored and patterned textiles that have been characteristic of Andean culture for millennia. They also found chuspas, pouches used to carry coca leaves and the alkaline substances (lime in this case) they were chewed with to increase the practice’s effectiveness against altitude sickness, in some of the bundles.

The bundles were placed inside a chamber dug into the sand, then topped with wood logs and mats of plant fiber hardened with mud. Archaeologists believe the burials were part of a pre-Hispanic cemetery in Chilca, as bodies have been found during utility work before, most recently in 2018 when Cálidda workers discovered the ancient remains of 30 individuals.

The human remains and archaeological materials will be entrusted to experts at Peru’s Ministry of Culture, who will assess their conservation needs and determine where they will be exhibited in the future.

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Dark Destiny!

MJPutney_DarkDestiny_800by Mary Jo (aka M. J. Putney)

DARK DESTINY, the third and final book in my Young Adult time travel trilogy, was released yesterday!  I'm so happy that this series is now available. I really enjoyed writing about these valiant young people learning to manage their unnerving talents and growing together as they fulfill their vows to aid their country in time of war.

As I've said before, I've always been intrigued by the parallels between the Napoleonic wars and World War II because both times Britain stood alone against a Continental tyrant, protected only by the narrow strip of sea known as the English Channel. 

Much of Great Britain's history is informed by its island status. Dark Mirror, first in the Lackland Abbey Chronicles, had a grand action finale involving Dunkirk as hundreds of thousands of troops were evacuated across the Channel to Britain.

 

Both Dark Mirror and the second book, Dark Passage, had my young Regency mages going MJPutney_DarkMirror_800forward in time to help Britain in the fight against Hitler.  For Dark Destiny, my writer's intuition said that I needed to reverse the situation and have the 20th century friends got back to 1804 to help their country when Napoleon was building a massive fleet of ships to cross the Channel and invade Britain. 

This was a very real threat. I love these two quotes from that time, which are an epigraph for Dark Destiny:

“Let us be masters of the Channel for six hours and we are masters of the world.”

            Napoleon Bonaparte while contemplating an invasion of Britain

“I do not say, my Lords, that the French will not come. I say only they will not come by sea.”

            Admiral Lord John Jervis, Earl of St Vincent, when he was Admiral of the Channel Fleet during the Napoleonic Wars

Ark-Destiny internationalThe story includes Tory and Allarde and their other friends from Merlin's Irregulars, but an important new character is Rebecca Weiss, from 1940.  The Irregulars rescued Rebecca and her family from Nazi imprisonment in Dark Passage, and Rebecca will risk her life by traveling back to 1804 so she can use her fledgling telepathic talents to try to turn Napoleon's ambitions away from Britain.        

Here's an excerpt from the beginning of Dark Destiny:

Lackland, England, Autumn 1940

A fighter plane roared menacingly over the farmhouse just as Tory bent to blow out the candles on her birthday cake. She froze—she would never get used to destructive flying machines!

But she could pretend to be brave. She drew a deep breath and blew. The seventeen MJPutney_DarkPassage_800candles for her years were easily extinguished, but the one added for luck flickered persistently before guttering out. She hoped that wasn’t an omen.

Her friends around the table applauded. Those who’d come from 1804 with Tory were enjoying the twentieth century birthday customs. The five of them would return to their own time in the morning. She was glad to be heading home, but she’d miss her twentieth century friends.

“Did you make a wish?” Polly asked. The youngest Rainford, she belonged to this house and this time. Though she was still weak from a bout with blood poisoning that had almost killed her, her mischievous smile had returned.

“Indeed I did,” Tory replied. “And it was hard to decide what to wish for!”

DarkMirror--Final HIGH REZHer life had changed so much since she turned sixteen a year ago. Then she had been the well brought up Lady Victoria Mansfield, youngest child of the Earl of Mansfield. Most of her thoughts had been turned toward her upcoming presentation to society where she would look for the best possible husband.

In the year since, she’d become a mageling, an exile, and one of Merlin’s Irregulars, sworn to use her magic to protect Britain. Not to mention being a traveler through time and an unsung heroine of Britain.

Best of all, she had fallen in love. Her gaze drifted to the young man who sat at her right, looking impossibly handsome. Justin Falkirk, Marquess of Allarde and her beloved. He gave her a smile full of the warmth and intimacy that had grown between them in the last months.

“Time to cut the cake!” Lady Cynthia Stanton, who was Tory’s roommate back at the Lackland Academy, was eyeing the dessert hungrily. “Mrs. R., if I come back for my birthday, will you make me a cake like this?”

“I will,” their hostess said cheerfully. “But give me some warning, please. This cake required almost a month’s worth of our sugar rations. I’ll need to save more coupons to create another cake this size.”

“You won’t want to take another beastly trip through the mirror just for a cake, Cynthia.” Tory got to her feet so she could cut properly. “But you can have the first piece of this one.”

The round cake had a thin layer of white icing and “Happy birthday, Tory!” was spelled out in rather uneven red letters. The same red icing had been used to draw little red rockets exploding around the edges.

Tory could have done without the explosions, but Polly had been pleased with herself for coming up with the idea. After all, war had drawn together this group of magelings from two different eras, and had forged lasting friendships.

Mrs. Rainford was sitting on Tory’s left, and she held out a small plate to receive the first 2.Dark-Passage internationalslice. “Here you are, Cynthia,” Tory said as she set the wedge of dark fruitcake on the plate. Mrs. Rainford handed it across the table.

“I’m going to have trouble waiting until everyone is served!” Cynthia exclaimed. “I still haven’t recovered from burning so much magic in France.”

“As the birthday girl, I give you permission to eat now rather than wait for the rest of us,” Tory said grandly. “We all need to eat to build up our strength for the return journey through the mirrorMJPutney_DarkDestiny_800.”

There's lots of action and developing romance, and of course happy endings! 

All three stories are available as ebooks, audio books, and print on demand. (The PODs might take a bit of time to become available.)  I had fun working on the new covers with the wondrous Kim Killion. The same young model was used for all three of the covers.  The magic pizzazz was added by Kim.

I'll give a free copy of Dark Destiny, either ebook or original print, to one person who leaves a comment between now and Saturday night.  US only, sorry!

You may not usually read fantasy, time travel, or young adult novels, but if you like the kinds of characters and action I write in my adult books, you may enjoy these stories as well.  Start with Dark Mirror and see what you think!

Mary Jo



source https://wordwenches.typepad.com/word_wenches/2021/09/destiny.html

Thursday

Long-Distance Trade Detected in Genomes of Siberian Dogs

MUNICH, GERMANY—According to a statement released by Ludwig Maximilian University of Munich (LMU), a team of researchers led by Laurent Frantz of LMU and Tatiana Feuerborn of the University of Copenhagen has analyzed the genomes of 49 dogs whose remains were unearthed at archaeological sites in Siberia and Eurasia. The study found an increase of genetic material from dogs from the Eurasian steppes and Europe in Siberian dogs between the Iron Age and the medieval period. Archaeologist Robert Losey of the University of Alberta explained that dogs, like other goods uncovered at Siberian archaeological sites, could have been traded as a means of transport, as hunting partners, and even as sources of food. In contrast, human genomes in Arctic Siberia during this period remained stable, with little input from non-Arctic populations. The mixing of Siberian dogs with imported dogs may have helped the animals make the transition from serving primarily as sledding dogs to herding reindeer as Siberian populations turned to pastoralism, explained Frantz. Eventually, modern Siberian dog lineages, such as the Samoyed, emerged from this population. To read more about the archaeology of dogs, go to "More than Man's Best Friend."

Composition of Stone Tools From Roman Morocco Analyzed

AUSTIN, TEXAS—According to a statement released by the University of Texas at Austin, a team of archaeologists and geoscientists analyzed a collection of stone fragments from mixing vats and millstones unearthed at Morocco’s ancient Roman city of Volubilis. The researchers discovered that specific types of rock had been chosen to improve the function of these tools. For example: grain millstones were made of volcanic basalt with sharp-edged pores, olive mills were made from limestone containing fragments of other rocks and small fossil shells, and dough mixers were made from limestone without such rough fragments. Jared Benton of Old Dominion University said the craftspeople who made the tools may have consulted with the workers who used them in order to make them more effective. The study also found that each rock type came from sources near Volubilis, when it had been previously thought that the basalt was imported from Italy. Benton thinks a single supplier may have been meeting the city’s industrial stone needs. To read about the archaeology of a once-bustling medieval city in Morocco, go to "Letter from Morocco: Splendor at the Edge of the Sahara." 

New Thoughts on Maya Pyramid in El Salvador

BOULDER, COLORADO—According to a Live Science report, the Campana structure, a Maya pyramid in El Salvador’s Zapotitán Valley, was built with cut stone, earth, and tephra ejected by the Tierra Blanca Joven eruption of the Ilopango caldera, which is located about 25 miles away. Recent radiocarbon dating of tree trunks in El Salvador indicates that the eruption occurred around A.D. 539. It had been previously thought that the Maya abandoned their settlements in the ash-covered region for centuries after the eruption, but archaeologist Akira Ichikawa of the University of Colorado Boulder said that the dating of carbon samples from the pyramid’s building materials suggests construction occurred between A.D. 545 and 570. Ichikawa thinks the inclusion of tephra in the pyramid could reflect the spiritual significance of volcanoes in Maya culture. To read about the only Maya city with an urban grid, go to "The City at the Beginning of the World."

This Civil War–Era Eagle Sculpture Was Made Out of Abraham Lincoln's Hair

The unusual artifact also contains tresses from First Lady Mary Lincoln, members of the president's cabinet and senators

from History | smithsonianmag.com https://ift.tt/3kzA1A7

Roman gold coins found off coast of Spain

A group of 53 Roman gold coins have been discovered on the seabed off the coast of Xàbia in Alicante, southeastern Spain. They are gold solidi ranging in date from the late 4th to the early 5th century, and are in such excellent condition that all the coins but one could be identified. There are three solidi from the reign of Emperor Valentinian I, seven from  Valentinian II, 15 from Theodosius I, 17 from Arcadius and 10 from Honorius.

The coins were discovered on the sea bottom next to Portitxol island, a popular destination for sport divers because of the rich marine life that inhabits its seaweed meadows of its rocky bed. Even so, it managed to hide dozens of Roman gold coins for 1,500 years until freedivers Luis Lens and César Gimeno spotted eight flashes of light on the seafloor. At first they thought they were modern ten cent pieces, or maybe mother-of-pearl shells gleaming in the water. They picked up two of them.

When they returned to the boat, they saw that they were ancient gold coins bearing identical profiles of a Roman emperor. They immediately alerted city officials to their discovery and led marine archaeologists to the find site. Over several dives, the team of archaeologists recovered the 53 gold coins, three copper nails and fragments of lead that may have been fittings on a chest.

This is one of the largest sets of Roman gold coins found in Spain and Europe, as stated by  Professor in Ancient History Jaime Molina and University of Alicante team leader of the underwater archaeologists working on the wreck. He also reported that this is an exceptional archaeological and historical find, since it can offer a multitude of new information to understand the final phase of the fall of the Western Roman Empire. The historians point to the possibility that the coins may have been intentionally hidden, in a context of looting such as those perpetrated by the Alans in the area at that time.

Therefore, the find would serve to illustrate a historical moment of extreme insecurity with the violent arrival of the barbarian peoples (Suevi, Vandals and Alans) in Hispania and the final end of the Roman Empire in the Iberian Peninsula from 409 A.D.

The coins are now being conserved and studied before going on display at the Soler Blasco Archaeological and Ethnographic Museum in Xàbia, conditioned on the acquisition of an armored glass case equipped with sensors to secure the valuable (and easily meltable) artifacts. Funding has already been secured to return to the find site for a more thorough excavation.

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Roman gold coins found off coast of Spain

A group of 53 Roman gold coins have been discovered on the seabed off the coast of Xàbia in Alicante, southeastern Spain. They are gold solidi ranging in date from the late 4th to the early 5th century, and are in such excellent condition that all the coins but one could be identified. There are three solidi from the reign of Emperor Valentinian I, seven from  Valentinian II, 15 from Theodosius I, 17 from Arcadius and 10 from Honorius.

The coins were discovered on the sea bottom next to Portitxol island, a popular destination for sport divers because of the rich marine life that inhabits its seaweed meadows of its rocky bed. Even so, it managed to hide dozens of Roman gold coins for 1,500 years until freedivers Luis Lens and César Gimeno spotted eight flashes of light on the seafloor. At first they thought they were modern ten cent pieces, or maybe mother-of-pearl shells gleaming in the water. They picked up two of them.

When they returned to the boat, they saw that they were ancient gold coins bearing identical profiles of a Roman emperor. They immediately alerted city officials to their discovery and led marine archaeologists to the find site. Over several dives, the team of archaeologists recovered the 53 gold coins, three copper nails and fragments of lead that may have been fittings on a chest.

This is one of the largest sets of Roman gold coins found in Spain and Europe, as stated by  Professor in Ancient History Jaime Molina and University of Alicante team leader of the underwater archaeologists working on the wreck. He also reported that this is an exceptional archaeological and historical find, since it can offer a multitude of new information to understand the final phase of the fall of the Western Roman Empire. The historians point to the possibility that the coins may have been intentionally hidden, in a context of looting such as those perpetrated by the Alans in the area at that time.

Therefore, the find would serve to illustrate a historical moment of extreme insecurity with the violent arrival of the barbarian peoples (Suevi, Vandals and Alans) in Hispania and the final end of the Roman Empire in the Iberian Peninsula from 409 A.D.

The coins are now being conserved and studied before going on display at the Soler Blasco Archaeological and Ethnographic Museum in Xàbia, conditioned on the acquisition of an armored glass case equipped with sensors to secure the valuable (and easily meltable) artifacts. Funding has already been secured to return to the find site for a more thorough excavation.

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source http://www.thehistoryblog.com/archives/62305

Review of The Bombay Prince by Sujata Massey, a mystery of 1920s India

The “Bombay prince” is the future Edward VIII, who in November 1921 took a four-month tour of India, one of the many colonial lands he expected to rule one day. Many Indians supporting independence were angry about the visit, which led to calls for boycotts and agitation in the streets.

This historic event is the setting for the third in Sujata Massey’s excellent mysteries of 1920s India featuring Perveen Mistry, the country’s first female solicitor (she’s fictional but based on a real-life figure).

Miss Freny Cuttingmaster, a talented student at Woodburn College, stops by Mistry Law for a legal consultation with Perveen. She and her classmates are required to attend the parade celebrating the Prince of Wales’s arrival in Bombay, but Freny detests what he symbolizes and wants to stay away. Impressed by her principles, Perveen advises her as best she can. Then, on the day of the procession, poor Freny’s body is found on the ground, beneath a balcony on her campus. Was her death suicide-as-protest, a political murder, or something else?

Massey admirably directs a cast of dozens, all with distinct personalities and with a range of religious backgrounds. The amount of cultural information smoothly woven through these pages is astounding and is exhibited via the characters’ interactions. The Cuttingmasters are Parsis, like Perveen, which leads her and her lawyer father, Jamshedji, to advocate for Freny’s distraught parents during the coroner’s inquest and ensure her funeral at Doongerwadi isn’t improperly delayed. Feeling an affinity for their late daughter, Perveen wants to see justice done, but she’s disconcerted by Mr. Cuttingmaster’s abruptness (he’s a tailor, as his name suggests) and tries to act without causing offense. She doesn’t always succeed.

Perveen’s manner feels stiff at times, which she acknowledges; it feels appropriate to her status as a pioneering woman in her field who happens to be separated from an abusive husband. Both on the job and within society, her behavior must be above reproach, plus Jamshedji disapproves of her socializing with men. This includes Colin Sandringham, an English political agent helping to arrange the prince’s itinerary. Readers of the previous book will be happy to see him again. Perveen and Colin had become close during her trip to Satapur, but as for a relationship between them – there be danger ahead, she knows.

Followers of the series should delight in how this book ends, and anyone tempted by mentions of the delicious Indian dishes consumed by the characters can find recipes on the author’s website.

The Bombay Prince was published by Soho in 2021; thanks to the publisher for approving me on NetGalley.


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Wednesday

DNA Analysis Identifies Japanese Ancestors

DUBLIN, IRELAND—According to a Live Science report, analysis of DNA samples obtained from ancient bones unearthed at various sites across Japan has detected a previously unidentified genetic group that migrated to Japan during the Kofun period, between A.D. 300 and 700, when Japan transitioned into an imperial state. This group is thought to be one of three populations ancestral to modern Japanese people. The other two groups have been identified as Jomon-period hunter gatherers who arrived in Japan as early as 20,000 years ago, and Yayoi-period farmers who migrated to Japan from East Asia between 900 B.C. and A.D. 300. Were the political changes that took place during the Kofun period brought about by this newly detected influx of new people? “Cultural transitions could have happened without involving genetic changes,” said Shigeki Nakagome of Trinity College Dublin. But the Kofun-period migrants came from East Asia and may have been Han people from China, he added. “To see if this East Asian ancestry played a key role in the transition, we need to sequence people with a higher rank,” he said. For more, go to "Japan's Early Anglers." 

Ritual Objects Discovered in Northern Egypt

CAIRO, EGYPT—Ahram Online reports that researchers from Egypt’s Supreme Council of Antiquities have uncovered artifacts used in rituals honoring the goddess Hathor in the Temple of the Pharaohs at the site of the ancient city of Buto, which is located in the Nile Delta. The instruments, which date to the 26th Dynasty (688-525 B.C.), include a limestone pillar shaped like the goddess; faience incense burners, one of which is decorated with the head of the god Horus; pottery; statuettes of the deities Tawart and Djehuty; a maternity chair; an offering holder; a gold Udjat eye; and golden scales thought to have been used in the gilding of other objects. The researchers also found ivory carved with scenes of women carrying offerings and pictures of plants, birds, and animals; a limestone lintel carved with hieroglyphic texts; and part of a painting of a king performing a ritual in the temple. To read about the sacred site of Heliopolis on the Nile, go to "Egypt's Eternal City."

'Band of Brothers' Stars Reflect on the Epic Miniseries' Evolving Legacy

HBO's beloved World War II drama premiered 20 years ago this month

from History | smithsonianmag.com https://ift.tt/3ufuj9T

‘Cake mummy’ survived WWII bombing of Lübeck

A hazelnut cake complete with swirls of frosting carbonized in the bombing of Lübeck in 1942 has been discovered in a cellar in the city’s historic old town. No food preserved in the firestorm of the bombing has been discovered before in Lübeck. Nor are there any comparable survivors from Hamburg or Dresden, two other German cities that were famously devastated by Allied firebombing.

City archaeologists unearthed the cake in April during an excavation under a house on the Alfstrasse, a street that leads from the Trave river to Lübeck’s iconic 13th century St. Mary’s Church. Built in 1159, barely 15 years after the city’s founding, Alfstrasse is one of the oldest streets in the Lübeck located in the very heart of the city’s founding district.

Lübeck was bombed by the Royal Air Force the night of March 28-29th, 1942, and the fires that resulted destroyed large parts of its medieval city center. St. Mary’s was all but levelled (it was reconstructed after the war), as was the merchants’ quarter. The house on Alfstrasse was destroyed in the bombing, but by a miraculous cake-preserving fluke, a cavity formed under the rubble that insulated the dessert from annihilation in the fires or from being crushed in the house’s collapse.

“From the point of view of a restorer, it is the most exciting object that I have ever worked on,” says [conservator Sylvia] Morgenstern. “I first have to wait for the laboratory analyzes. Only then can I decide whether I can clean the find with water and which substance is suitable for stabilization,” she says.

But just like the question of preserving the cake, the archaeologists are concerned with the story behind it. In addition to the charred cake, a coffee service and several records were also found. “Possibly the pastry was intended for a confirmation ceremony. It used to take place on Palm Sunday,” said Schneider. “We hope that we can clarify this with the help of the city archives at some point.” […]

“The cake find is so special because it goes back to an event – namely the bombing raid on Lübeck – that is still present in the minds of the city,” says Doris Mührenberg, who is in charge of the Lübeck Archeology magazine. This is where the “cake mummy” will later find its place – if it is possible to preserve it permanently.

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from The History Blog https://ift.tt/3tXkvRC

‘Cake mummy’ survived WWII bombing of Lübeck

A hazelnut cake complete with swirls of frosting carbonized in the bombing of Lübeck in 1942 has been discovered in a cellar in the city’s historic old town. No food preserved in the firestorm of the bombing has been discovered before in Lübeck. Nor are there any comparable survivors from Hamburg or Dresden, two other German cities that were famously devastated by Allied firebombing.

City archaeologists unearthed the cake in April during an excavation under a house on the Alfstrasse, a street that leads from the Trave river to Lübeck’s iconic 13th century St. Mary’s Church. Built in 1159, barely 15 years after the city’s founding, Alfstrasse is one of the oldest streets in the Lübeck located in the very heart of the city’s founding district.

Lübeck was bombed by the Royal Air Force the night of March 28-29th, 1942, and the fires that resulted destroyed large parts of its medieval city center. St. Mary’s was all but levelled (it was reconstructed after the war), as was the merchants’ quarter. The house on Alfstrasse was destroyed in the bombing, but by a miraculous cake-preserving fluke, a cavity formed under the rubble that insulated the dessert from annihilation in the fires or from being crushed in the house’s collapse.

“From the point of view of a restorer, it is the most exciting object that I have ever worked on,” says [conservator Sylvia] Morgenstern. “I first have to wait for the laboratory analyzes. Only then can I decide whether I can clean the find with water and which substance is suitable for stabilization,” she says.

But just like the question of preserving the cake, the archaeologists are concerned with the story behind it. In addition to the charred cake, a coffee service and several records were also found. “Possibly the pastry was intended for a confirmation ceremony. It used to take place on Palm Sunday,” said Schneider. “We hope that we can clarify this with the help of the city archives at some point.” […]

“The cake find is so special because it goes back to an event – namely the bombing raid on Lübeck – that is still present in the minds of the city,” says Doris Mührenberg, who is in charge of the Lübeck Archeology magazine. This is where the “cake mummy” will later find its place – if it is possible to preserve it permanently.

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source http://www.thehistoryblog.com/archives/62298

Am I my heroines?

Anne here, and today I'm responding to a question from Quantum (for which he's won a book): "When reading your books I often wonder whether you imagined yourself as the heroine while writing, imbuing her with qualities that you have or would like to have. Daisy the seamstress is a favorite and perhaps you are stitching ideas together like Daisy making dresses."

1EmmaWatsonHeroineI had to really think about this. When I'm writing, I try to imagine myself into each of the characters — not that the characters are me in any way, but that to access them, I have to 'dream' my way into them and how they are feeling, thinking etc. But it's not much different to the way I imagine myself into the places in the books, when I haven't been able to visit them in person. 

It's a common belief that writers base their characters on real people, but all I can say is that it's not true for me at all. The closest I get to using real people in my books is pinching their name for characters, and I only do that with friends' names and then only for minor characters. (For instance, Sir Alan and Lady Reynolds who give a party in The Scoundrel's Bride. See also who I dedicated the book to.) I also borrow physical characteristics from actors sometimes, but mainly it's the mood of the photo that inspires me, like the one above.

ScoundrelsDaughterMed2

When I was first published a good friend who loves psychology examined my first book with an assumption that the heroine was some form of me. She was a little perplexed. Then she read the second book, and then the next, still looking for me-as-character. I'm not sure when she gave up looking for evidence that they were some version of me, but she did quite early on. 

There is obviously some part of me in all my characters — they come from my imagination, after all. Some have my sense of humor, some respond to the events and situations in the book as I might, but mostly my characters do and think things I would never do. Occasionally they do things I would love to be able to do — like come up with instant snappy comebacks in dialogue. In real life I often only think of the perfect comeback an hour or two later, or even at 2am. But generally they are who they are. Other writers I've talked to about this have similar responses — I suppose it's where the notion of "a muse" comes from.

Some of my main characters spring to life more or less fully formed on the page. Others take longer to emerge, and I ask myself questions about them, and what they are feeling at any point in the story. I build up a picture in my mind of who they are and what makes them tick. Even then, some can surprise me.

Cover-spring-brideI remember when I was writing The Spring Bride, and Jane said to Zachary Black — "Oh grow up!" In the scene she and the hero are arguing over her decision to make a practical marriage. Up to that point she'd been sweet and cooperative and her spurt of temper took me as much by surprise as it took Zachary. I know that sounds weird, when Jane was my creation, but one of the joys of writing is when a character takes on a life of their own. 

And some readers wrote to me, saying how much they liked that point where, to quote a couple of them, "Jane grew a backbone." 

Here's that scene:

“You make it sound so cold-blooded, and I’m not,” Jane said.

He laughed, a short, hard sound. “Yes you are. Still, you deserve better than a fellow like Cambury. You can’t let yourself be sold off like this—”

“Oh, grow up!” she snapped.

His jaw dropped. “What?”

“I said grow up! Oh, it’s all so easy from where you stand, isn’t it, Mr. Black? You look at me and see the fine clothes, and you see I’m living in a big house in the best part of town and you imagine it’s all so perfect, don’t you?”

“I—”

“You can’t possibly imagine—can you, Mr. Black?—that I might know what it is to be hungry, what it is to be cold, what it is to have nowhere safe to sleep at night—” She broke off and took a deep, steadying breath.

“I didn’t—”

“I have nothing, not a penny of my own but the allowance Lady Beatrice gives me—and she has no reason to give it—I am no kin to her. It is nothing but kindness—charity, if you will.” Her eyes glittered with unshed tears. Angry unshed tears.

“I have little education, no skills, nothing but my face to recommend me. Lady Beatrice has given me the opportunity to make the kind of marriage that will secure my future—mine and any children I might have—and neither you, nor anyone else, is going to stop me from having it, no matter how much I might—” She broke off, shaking her head. “Oh, please, just go. And don’t come back. I don't wish to see you ever again.”

 *   *   *   *   *

Jane isn't the only character who has surprised me with something they said or did, or behaved differently from how I'd initially imagined them, but I won't bore you with endless examples. I will say, however, that the surprise often comes in a scene where I'm handwriting first (which I don't always do) so I guess my subconscious is kicking in. And when that happens, it's a real boost.

SmoulderingDuke

But rather than characters that are some version of me or even of someone I know, I would much prefer to write the kind of characters I would love to meet, characters who surprise and entertain me — like Lady Beatrice, for instance, the kind of woman who we'd never meet in life.

So in a way you're right, Quantum — I am a bit like Daisy the dressmaker. Sometimes the character (or in her case, the dress) comes to me wholly imagined, and other times, it comes of draping and pinning and snipping and trying out different fabrics and styles until the right one emerges. Thanks for the question.

Question for readers: Have you ever come across a character in a book who reminds you of someone you know? Do you like it or does it feel a bit weird? Or is there a character in a book that you'd love to meet, because they're nothing like the people you meet in real life?



source https://wordwenches.typepad.com/word_wenches/2021/09/am-i-my-heroines.html

Tuesday

Medieval Mass Graves Excavated in Lebanon

POOLE, ENGLAND—Two mass graves thought to contain the remains of European soldiers killed during the Crusades have been found in a dry moat at the site of Lebanon’s St. Louis Castle, according to a Live Science report. Christian soldiers first captured St. Louis Castle after the First Crusade in 1110, and held the port of Sidon for more than a century. But records also show that the castle was attacked by Mamluks in 1253 and the Mongols in 1260, when it was destroyed. The men in the mass graves, which have been dated to the thirteenth century, are thought to have been killed during these attacks. Richard Mikulski of Bournemouth University said that the chemical composition of the men’s teeth and analysis of DNA samples indicate that some of them were born in Europe. Many of the brutal injuries had been inflicted from behind, and perhaps from horseback, he explained. Piers Mitchell of the University of Cambridge added that a Frankish belt buckle found in one of the graves supports Crusader records, which state that King Louis IX of France, who was on crusade in the Holy Land in 1253, visited the site and personally helped bury the dead. To read about how archaeologists are investigating the history of the Crusades and uncovering surprising facts about the Knights Templar and the spectacular castles built by the Crusaders, go to "Reimagining the Crusades." 

Three Phases of Wooden Wagon Way Uncovered in Scotland

EDINBURGH, SCOTLAND—BBC News reports that three layers of wooden tracks constructed for the horse-drawn Tranent Waggonway have been uncovered in East Lothian by researchers from the 1722 Waggonway Project. The line was first built in 1722 to haul coal along a two-mile route from a pit in Tranent to the coast of the Firth of Forth at Cockenzie and Port Seton, where it was used as fuel for making salt. The distance between the two rails was initially set at about three feet, three inches apart, and was expanded to four feet across in the second phase, between 1722 and 1725, when cobbles were also set between the rails as a path for the horses. The third phase of construction lasted from 1743 to 1744. “The wagonway excavation has shown that these waggonways are far more complex that the single-phase structures previously excavated, and the survival of timber on site including joints, helps us further understand the construction of these early railways,” commented railway historian Anthony Leslie Dawson. To read about DNA analysis of remains dating to the thirteenth through fifteenth centuries interred in a peculiar Scottish grave, go to "Heads of the Family."

Rare Shell Artifacts Discovered in South Australia

ADELAIDE, AUSTRALIA—According to a statement released by Flinders University, modified freshwater mussel shell objects have been recovered from shell middens along south-central Australia’s Murray River by researchers from Flinders University and Griffith University, in collaboration with the River Murray and Mallee Aboriginal Corporation and the Ngarrindjeri Aboriginal Corporation. The shells range in age from 6,000 to 600 years old. Two of them had been perforated, and one has a finely serrated edge. Ngarrindjeri archaeologist Chris Wilson explained that accounts from Aboriginal elders who lived along the Murray River indicate that the perforated shells could have been used as ornaments, for tool stringing, and for fiber scraping, while the serrated shell could be evidence of experimental tinkering, or it may have also been used as an ornament or a food utensil. To read about newly discovered rock art panels that illustrate how ancient Aboriginal Australians envisioned their creation, go to "Letter from Australia: Where the World Was Born." 

Burned Layer at Jamestown Linked to Bacon’s Rebellion

JAMESTOWN, VIRGINIA—The Virginia Gazette reports that new excavations at the site of the memorial church at Jamestown have uncovered intact burn deposits and several artifacts. The burned surface is thought to date to Bacon’s Rebellion in 1676, according to archaeologist Sean Romo, who first spotted burned deposits just below the surface of the ground at the church in 2019. He thought the deposits could be evidence of Nathaniel Bacon’s siege of Jamestown, the fire that burned the fort in 1608, or the retreat of Confederate troops in 1862. “We expected this space to be disturbed in some way, but once we took off the modern deposits, we were shocked. The fact that this site is really intact is incredible,” he said. The artifacts on top of the burn deposits include window leads dated to the period just after the 1676 fire. An investigation along the church’s eastern wall also found evidence of the construction of the brick church tower after the fire. “We have positive evidence of Bacon’s Rebellion and the burning that took place,” explained Dave Givens, Jamestown’s director of archaeology. “The nice thing about this dig is that, as it evolves, it will help us understand more about the layers and what we’re seeing every day.” To read about about work by archaeologists and tribal community members to document the traditional homeland of Virginia's Rappahannock people, go to "Return to the River." 

Burned Layer at Jamestown Linked to Bacon’s Rebellion

JAMESTOWN, VIRGINIA—The Virginia Gazette reports that new excavations at the site of the memorial church at Jamestown have uncovered intact burn deposits and several artifacts. The burned surface is thought to date to Bacon’s Rebellion in 1676, according to archaeologist Sean Romo, who first spotted burned deposits just below the surface of the ground at the church in 2019. He thought the deposits could be evidence of Nathaniel Bacon’s siege of Jamestown, the fire that burned the fort in 1608, or the retreat of Confederate troops in 1862. “We expected this space to be disturbed in some way, but once we took off the modern deposits, we were shocked. The fact that this site is really intact is incredible,” he said. The artifacts on top of the burn deposits include window leads dated to the period just after the 1676 fire. An investigation along the church’s eastern wall also found evidence of the construction of the brick church tower after the fire. “We have positive evidence of Bacon’s Rebellion and the burning that took place,” explained Dave Givens, Jamestown’s director of archaeology. “The nice thing about this dig is that, as it evolves, it will help us understand more about the layers and what we’re seeing every day.” To read about about work by archaeologists and tribal community members to document the traditional homeland of Virginia's Rappahannock people, go to "Return to the River." 

Painted 14th c. burial vaults found in Bruges

Excavations at the Church of Our Lady in the heart of historic Bruges, Belgium, have unearthed three medieval burial vaults, two of them with painted interior walls. Archaeologists have been excavating the former Onze-Lieve-Vrouwekerkhof cemetery under the Mariastraat, the street in front of the church, since mid-May to recover remains and artifacts before construction of an underground pumping station. Within days the skeletal remains of about 50 individuals were uncovered along with coffin nails from the simple wooden boxes, now decomposed, in which they were interred.

The first two masonry vaults were discovered less than a week into the excavation. One of them was richly decorated with painted murals on the interior walls. Both long sides of the rectangular vault feature angels swinging censers so vigorously they’re horizontal. The short end at the head of the fault is a scene of Calvary — Jesus crucified with his mother Mary standing to his right and the apostle John on his left. Copious blood pours from the nail holes in his hands and feet and from the gaping spear wound in his side. At the foot end is a Sedes sapientiae, Mary enthroned with her arm around the child Jesus by her side. The main figural pieces on all four walls are sprinkled throughout with red flowers and red crosses bottony (a square cross with skinny arms that terminate in trefoils). Based on the painting style, the tomb has been dated to the late 14th century.

The third burial vault was unearthed last week. Its painted interior walls are very similar in style and motif, with angels wielding censers on the long sides peppered with florals and crosses. The short side at the head also features a scene of the Crucifixion, Jesus on the cross flanked by Mary and John, while a Sedes sapientiae decorates the opposite short wall. This tomb also dates to the 14th century, but is likely a little younger than the previous find.

When these vaults were built, they were rush jobs. At that time, bodies had to be buried within 24 hours of death, so bricklayers, masons, plasterers and painters had to make and decorate a vault with a quickness. Because the lime plaster never had the time to dry, the murals painted on the inside were basically frescoes, although not a deliberate choice so much as the exigencies of the situation. The condition of the paint can therefore be challenging. The murals in the first vault discovered are better conserved than the second.

To ensure the best possible preservation of the painted burial vaults, archaeologists called in specialist conservators to clean and stabilize the artworks as quickly as possible so they can be thoroughly photographed and documented. The crypts were then covered back up carefully to prevent damage from the elements. They will remain covered as long as they’re in situ. When the excavation is complete, the vaults will be lifted in their entirety and removed for conservation and study.

A 3D model of the first painted vault has already been completed (see below). A model of the second is in the works. This will allow people to see the vaults and conservators to assess their immediate condition needs without risking any damage to the delicate surfaces.

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source http://www.thehistoryblog.com/archives/62282

Painted 14th c. burial vaults found in Bruges

Excavations at the Church of Our Lady in the heart of historic Bruges, Belgium, have unearthed three medieval burial vaults, two of them with painted interior walls. Archaeologists have been excavating the former Onze-Lieve-Vrouwekerkhof cemetery under the Mariastraat, the street in front of the church, since mid-May to recover remains and artifacts before construction of an underground pumping station. Within days the skeletal remains of about 50 individuals were uncovered along with coffin nails from the simple wooden boxes, now decomposed, in which they were interred.

The first two masonry vaults were discovered less than a week into the excavation. One of them was richly decorated with painted murals on the interior walls. Both long sides of the rectangular vault feature angels swinging censers so vigorously they’re horizontal. The short end at the head of the fault is a scene of Calvary — Jesus crucified with his mother Mary standing to his right and the apostle John on his left. Copious blood pours from the nail holes in his hands and feet and from the gaping spear wound in his side. At the foot end is a Sedes sapientiae, Mary enthroned with her arm around the child Jesus by her side. The main figural pieces on all four walls are sprinkled throughout with red flowers and red crosses bottony (a square cross with skinny arms that terminate in trefoils). Based on the painting style, the tomb has been dated to the late 14th century.

The third burial vault was unearthed last week. Its painted interior walls are very similar in style and motif, with angels wielding censers on the long sides peppered with florals and crosses. The short side at the head also features a scene of the Crucifixion, Jesus on the cross flanked by Mary and John, while a Sedes sapientiae decorates the opposite short wall. This tomb also dates to the 14th century, but is likely a little younger than the previous find.

When these vaults were built, they were rush jobs. At that time, bodies had to be buried within 24 hours of death, so bricklayers, masons, plasterers and painters had to make and decorate a vault with a quickness. Because the lime plaster never had the time to dry, the murals painted on the inside were basically frescoes, although not a deliberate choice so much as the exigencies of the situation. The condition of the paint can therefore be challenging. The murals in the first vault discovered are better conserved than the second.

To ensure the best possible preservation of the painted burial vaults, archaeologists called in specialist conservators to clean and stabilize the artworks as quickly as possible so they can be thoroughly photographed and documented. The crypts were then covered back up carefully to prevent damage from the elements. They will remain covered as long as they’re in situ. When the excavation is complete, the vaults will be lifted in their entirety and removed for conservation and study.

A 3D model of the first painted vault has already been completed (see below). A model of the second is in the works. This will allow people to see the vaults and conservators to assess their immediate condition needs without risking any damage to the delicate surfaces.

Share



from The History Blog https://ift.tt/39u5NYF

Monday

Possible Grave of Medieval Christian Hermit Excavated in Spain

BURGOS, SPAIN—According to a statement released by the National Research Center on Human Evolution (CENIEH), a team of researchers has excavated a rock-lined burial placed near the entrance to the San Tirso and San Bernabé Hermitage, a medieval Christian site in Ojo Guareña, a series of caves in northern Spain’s Cantabrian Mountains. Archaeologist Ana Isabel Ortega said the site has been dated to the early eighth century A.D., pushing back the founding of the hermitage by several centuries to about the time of the arrival of Islamic Moors in Spain. The burial is thought to hold the remains of one of the first Christian hermits to live an isolated life in the caves. Ortega and her colleagues will now analyze the chemical composition of the bones and date them to learn more about the individual. To read about the rise of a Visigothic city in Spain amid the collapse of the Roman empire, go to "The Visigoths' Imperial Ambitions."

My notebook and I got drenched and my story was born: an essay by Joanna FitzPatrick, author of The Artist Colony

Joanna FitzPatrick, whose latest novel The Artist Colony is published this month by She Writes Press, is here today with an essay about the research which inspired her fiction.

~

"My notebook and I got drenched and my story was born"
Joanna FitzPatrick

For me, born to travel, research takes me on a journey into the past, and that's why I love writing historical fiction. And it's a journey packed with surprises. Final destination unknown.

After writing an historical novel based on the letters and journals of the short story writer, Katherine Mansfield, which required a strict adherence to her biographical point of view, I looked forward to wandering freely into my next historical novel, creating new characters, and this time I wanted to write a mystery.

After you find an era that appeals to you, mine is the 1920s, one of the joys of research is intentionally falling down rabbit holes to find out everything you can about your subject: Prohibition, women's voting rights, rum runners, suffragettes, artists and artist colonies are some of my favorite subjects. And I feel a tremendous responsibility to my readers to thoroughly know these historical facts before I build a story around them.

As you can tell, I love reading history, but as a fiction writer the real exhilaration comes when I resuscitate history through the characters I create and then let them loose to see how they will behave.

One pathway in my research led me to the history of Asian communities in Monterey. The more I read about how these migrants were punished for their self-reliance and determination to make a good life for themselves in America, I knew my historical novel wouldn't be complete without including their powerful, but tragic voices.

In my research into the Portuguese whalers' and immigrant fishermen's stories, I was particularly intrigued by the Japanese abalone divers, which led me to the amas, women divers who also became characters in my novel.

Once I had embedded myself in Monterey's history, it was time to close those weighty books and head out to where that history took place.

As I entered the creaky wooden door into Whalers Cabin at Point Lobos, I felt my story take hold of me. Whalers Cabin was originally built in the mid-1800s and is currently a historical museum with artifacts and photographs of the many people who came to Monterey from long distances and settled on these shores.

Later, standing outside under the canopy of an ancient cypress, I thought, what if . . . and my plot began to percolate. My imagination on fire, pencil in hand, my fingers wrote down my ideas as quickly as I came up with them.

In my own cloud, I wasn't aware of the approaching storm until the heavy clouds burst overhead. It was my first shoreline squall and its dramatic energy added to my own excitement. While my notebook and I got drenched, my story was born.

When the sun broke through and the rain stopped as quickly as it had started, I took the trail outside Whalers Cabin to the unmarked Kodani Village. Gennosuke Kodani, a Japanese abalone diver, made his home on a bluff above Whalers Cove and he caught and canned abalone for a lucrative international market. His Pacific Grove Cannery was built on the opposite side of his village. There are no remnants left of the Kodani Village. But there are sepia photographs of his home, guest houses, bunk rooms, and Japanese women drying abalone on racks. It was easy to put my character Sarah on the bluff watching the women work and smelling the stinky abalones.

Reading history is not always a delicious piece of cake. Historical facts can be heartbreaking when doors open into the past where dark forces are released. In my research, horrible facts were exposed that rattled my strong belief in justice for all. These facts could not be ignored. My characters would have to work through the rampant racism in their own community–to ignore these facts would be a different story.

I went back to the drawing board and expanded my research to our country's treatment of Asian immigrants during the early 20th century so I could better understand the blatant discrimination in this idyllic artist colony on the Pacific shore. These facts would force my characters to question their own humanity. And because of this expanded research, what started out as a plot-driven mystery became a character-driven historical novel with an element of mystery.

I had started The Artist Colony journey before the COVID-19 pandemic, but as I was working on the last revisions, events took place outside my writing studio that linked my hundred-year-old story to the racial discrimination happening today.

I know I don't have the power to change the course of history, but perhaps the readers of The Artist Colony might choose to question their own humanity so that a writer a hundred years from now won't be telling the same story I wrote, because it's true: Those who don't know history are destined to repeat it.

~

Joanna FitzPatrick
(credit: Michelle Magdalena)
Joanna FitzPatrick was raised in Hollywood. She started her writing habit by applying her orange fountain pen and a wild imagination to screenplays, which led her early on to produce the film White Lilacs and Pink Champagne. Accepted at Sarah Lawrence College, she wrote her MFA thesis Sha La La: Live for Today about her life as a rock ’n’ roll star’s wife. Her more recent work includes two novels, Katherine Mansfield, Bronze Winner of the 2021 Independent Publisher Book Award (IPPY) in Historical Fiction, and The Drummer’s Widow. The Artist Colony is her third book. Presently, FitzPatrick divides her time between a cottage by the sea in Pacific Grove, California and a hameau in rural southern France where she begins all her book projects. Find her online here:

Author website: www.joannafitzpatrick.com
Facebook: www.facebook.com/JoannaFitzPatrickauthor
Twitter: https://twitter.com/Fitzpatrick_jo
Instagram: https://www.instagram.com/joannafitzpatrick.author/


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